Semana sim, semana não


Semana sim, semana não2022
The group exhibition was part of the various activities commemorating the centenary of the Week of Modern Art in 1922. Its objective was to intersect with its histories and critically reconsider the nature and effects of the inaugural moment of Modernism in Brazil. Specifically conceived in relation to the physical qualities of Casa Zalszupin, it brought together a collection of works produced under the modernist vein and another set of works created in recent years. Artworks juxtaposed and contrasts gestures that seek to synthesize landscapes, bodies, and their disposition in the continuum of life, revealing sequential movements as well as unavoidable conflicts and contrasts that mark realities separated by a century.

Ana Matheus Abbade, Anita Malfatti, Antônio Gomide, Brisa Noronha, Bruno Baptistelli, Carolina Cordeiro, Castiel Vitorino Brasileiro, Cícero Dias, Dalton Paula, Davi de Jesus do Nascimento, Di Cavalcanti, Flávio de Carvalho, Gabriel Junqueira, Gregori Warchavchik, Heitor Villa-Lobos, Ismael Nery, Jayme Figura, John Graz, José Adário dos Santos (Zé Diabo), Lais Myrrha, Lasar Segall, Leandra Espírito Santo, Luana Vitra, Oswaldo Goeldi, Paulo Monteiro, Paulo Pires, Rafael RG, Ricardo Carioba, Rosana Paulino, Sonia Gomes, Tadáskía, Tarsila do Amaral, Thiago Martins de Melo, Vicente do Rego Monteiro, Victor Brecheret, Vitória Cribb

Casa Zalszupin
Almeida e Dale Galeria de Arte
Etel Design


Germano Dushá 

Research, management, textual support
Fabricia Ramos

Exhibition design
Alberto Rheingantz

Graphic design
Raul Luna

Charly Ho

Marcelo Ozório

Casa Zalszupin exhibition page