Projects Page Title

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Development of the exhibition program's 2nd edition, commissioned by Almeida & Dale, with the show entitled "Gestures of Love, Seduction Practices." The exhibition brought together 29 artists, including 10 selected, 4 invited, and 15 established artists and agents. The aim was to investigate the constellation of human and non-human relationships ranging from the biology and chemistry of libido to the magic of the power of attraction or the visceral force of repulsion, revisiting romantic inspirations, sensations of pleasure and sexual connections, but also friendships and family ties. Additionally, Fora developed the website for the program, launched in 2023. To learn more about Contra-Flecha, visit its page in the "Projects" menu and check out the program's website.

Implemented by
Almeida & Dale Galeria de Arte

Artists
Antonio Henrique Amaral, Bisoro, Chico Tabibuia, Daiely Gonçalves, Ferrerin, Geoneide Brandão, Gustavo Torres, Hudinilson Jr., Ismael Nery, José Leonilson, Julia Gallo, Linga Acácio, Lygia Pape, Maria, Auxiliadora, Maria Lídia Magliani, Maria Martins, Marina Borges, Movimento Negro Unificado, Nazas, Pagu, Rainha F., Renato Noguera, Sidney Amaral, Tatiana Chalhoub, Tayná Uràz, Teresinha Soares, Tunga, Val Souza, Wanda Pimentel, Xamânica

Curators
Fabíola Rodrigues, Germano Dushá, Rafael RG 

Project management and translations
Fabricia Ramos 

Graphic design assistance
Christian Proença 

Almeida & Dale Collection
Carolina Tatani, Carollinne Akemy Miyashita, Leonardo Rodrigues, Sophia Sawaya Donadelli

Exhibition setup
Pedro Cruz, Cicero Bibiano, Wagner Betim

Audiovisual documentation
Leticia Rheingantz 

Photographic documentation
Sergio Guerini 

Links
Visit the program's website
Access the edition's newspaper
Access the publication
Visit the exhibition page

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Contra-Flecha 2

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Development of a collective exhibition entitled "Zimar vs. Thiago Martins de Melo: A Thousand Heads under the Apotheosis of the Last Sky" for Lima Galeria's booth at SP–Arte Rotas Brasileiras 2023. The show proposed a dialogue between two artists from Maranhão with distinct backgrounds and practices, yet with the same inventive vigor and strong references to Brazilian culture as the basis for their creative expressiveness. In a unique installation, Zimar's masks are combined with Thiago Martins de Melo's sculptural paintings, composing an atmosphere charged with energy, permeated by the manifestation of multiple expressive characters, like a ritualistic space or a force field for the intense circulation of various narratives. The project also included a small printed publication.

Assisting graphic design
Christian Proença

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ZMR VS. TMM

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Development of solo exhibition dedicated to the artist Montez Magno for Marco Zero Gallery’s booth in SP-Arte 2023. The show gathered 20 works spanning from the 1960s to the mid-2000s, bearing witness to the complexity of a prolific and profound body of work that unfolded in a spiraling manner over time. With specific exhibition design and furniture, the booth consists of paintings from different intermittent series, showcasing Montez Magno's magnetic pictorial ability, along with three-dimensional pieces that underline the artist's cosmogonic thinking.

Exhibition and furniture design
Alberto Rheingantz

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Cosmotechnological Complex

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Development of a collective exhibition at Mendes Wood DM, bringing together a comprehensive selection of works in different media and from artists of diverse origins and generations. The exhibition reflects how universal mysteries are updated under contemporary impulses, creating an exhibition design that encompassed the entire gallery space. The exhibition began with the enigmatic hybridism of the sphinx — half human, half beast — as a synthesis of vital paradoxes, embracing the inexorable problems of current ecological conditions to discuss paradigmatic changes and constant transfigurations towards a radical indescribability. The exhibition also included an intense program of performances and unfolded into a publication with curatorial texts, presentation of the artists and their works, and the visual references that underpinned the project's research.

Project by
Gernano Dushá, Matheus Yehudi, Pedro Mendes

Artists
Adriano Costa, Alma Allen, Anna Uddenberg, Antonio Obá, Arthur Diehl, Astrit Ismaili, Berenice Olmedo, Botond Keresztesi, Candice Lin, Castiel Vitorino Brasileiro, CRISE, Davi Pontes & Wallace Ferreira, Elaine Cameron-Weir, Eva Fàbregas, Franco Palioff, Guan Xiao, Iara Izidoro, James Lee Byars, Jill Mulleady, Joana Escoval, Joanna Piotrowska, Jonas Van, João Pimenta Gomes, Juliana Frontin, Lucas Arruda, Luana Vitra, Luiz Roque, Lynn Randolph, Marina Dalgalarrondo, Marina Perez Simão, Michael Dean, Miho Dohi, Nina Canell, Patricia Ayres, Patricia Leite, Paulo Monteiro, Paulo Nimer Pjota, Sam Windett, Samuel Guerrero, Solange Pessoa, Sonia Gomes, TIERRA MEMORIA, Unknown/Anônimos, Ventura Profana, Vera Mota, Veronika Hapchenko, Young Boy Dancing Group, Zsófia Keresztes

Conception, curating, and editorial coordination
Germano Dushá

Graphic design assistance
Christian Proença

Links
Visit the exhibition page
Access the publication 

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Esfíngico Frontal

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Development of an exhibition program commissioned by Almeida & Dale, interested in new perspectives on the history of Brazilian art. Its goal is to create exhibitions that bridge the gap between the works in the gallery's collection/network — primarily modern pieces from the 20th century —, invited artists and artists selected through an open call. Annually, the project involves defining a conceptual/curatorial proposition for the edition, inviting curators, drafting the call, selecting applicants, and defining invitees, managing all dynamics and services involving participating artists, activities related to the production of the exhibition, among other tasks. The project also includes a public program of conversations, a video record of the exhibition, and a printed publication. For the pilot edition, the exhibition "Bend But Don’t Break" brought together 32 artists, including 10 selected, 8 invited, and 14 established artists. The aim was to reflect on how the manipulation of matter, both physical and imaginative, can provoke reflections on the possibilities of transforming the body — which stretches, bends, and flexes — but also on expanded dynamics of transmutations, hybridisms, and unusual connections through certain infusions of energy.

Implemented by
Almeida & Dale Galeria de Arte 

Artists
Alfredo Volpi, Aline Motta, Allan da Silva, Anna Maria Maiolino, Anti Ribeiro, Cildo Meireles, Edson Barrus, Flávio de Carvalho, Hélio Melo, Hélio Oiticica, Ione Saldanha, Ivens Machado, Jayme Fygura, Jefferson Santiago, Jonas Van, José Resende, Juno B, Keila Sankofa, kulumym-açu, Labō, Laryssa Machada, Loren Minzú, Lygia Pape, Mari Ra, Marina Woisky, Mira Schendel, Miriam Inez da Silva, Noara Quintana, Raymundo Colares, Rubem Valentim, Sallisa Rosa, Siwaju Lima, Victor Arruda, Zimar

Curators
Germano Dushá, Rafael RG, Ariana Nuala 

Almeida & Dale Collection
Carolina Tatani, Carolline Akemy Miyashita, Sophia Maria Quirino Sawaya Donadelli, Malu Villas Bôas, Morgana Viana Montagem Éder Chapolla, Tato Blassioli 

Exhibition setup
Éder Chapolla, Tato Blassioli

Carpentry and metalworking
Carlos Ferraboli 

Links
Visit the program's website 
Access the publication
Visit the exhibition page

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Contra-Flecha

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Development of the visual identity and informational platform of the World of Us (WoU) project, which also unfolds as an educational metaverse, created and managed by TALES. The project is inspired by gamer culture to address cultural topics such as ancient mythologies and environmental issues such as nature preservation. The work involved creating the brand "World of Us" and its manual; designing and developing the informational website focused on parents, guardians, educators, and youth; content research; and creating graphics for social media and special events.

Coordination
Germano Dushá, Fabricia Ramos

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World of Us

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Development of solo exhibition for the inaugural booth by Marco Zero Gallery at ArtRio 2022, presenting a spectrum of the imagery and works of artist Francisco Brennand. Displaying over 30 artworks, including sculptures, paintings, ceramic plates, and objects, ranging several decades. The exhibition design proposed a unique and cohesive environment reminiscent of citadels, temples, and ancient gardens, like a ruin of vanished civilizations, lost times — fundamental notions that permeate the artist's production. The project was accompanied by a digital brochure and a printed poster distributed to visitors, both featuring curatorial text, the artist's biography, and images.

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Mass of Mysteries

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Development of group exhibition for the seventh edition of the project "Pandora Box" by Kura, bringing together artworks by artists Tadáskia and Rebecca Sharp in dialogue with works from the 17th to 19th centuries from the Ivani and Jorge Yunes collection, which permanently occupy the exhibition space. The project — thought specifically for the architectural qualities of the house — also created special supports for Tadáskia's canvases which uniquely inserted them into the space and created an immersive situation in one of the rooms to showcase Sharp's paintings.